Obit. takes a look at the world of obituary writers at The New York Times. The documentary delves in their world. Various writers are interviewed and accompanied through their daily tasks.
Rather than a leisurely job of writing about interesting people, obituary writing is a hectic fast-paced job of writing about interesting people. Anyone who had an impact in the world could be fair game for an obituary. And their obituary must go out in a matter of hours, not days or weeks.
For this type of work, people need to be called, facts tracked down, news clips gathered. Yes, news clips. The Times has a department devoted to news clips of people and events. Thousands of drawers in filing cabinets contain files on individual people. A team used to maintain these files. These days one person oversees the department. When a writer is assigned an obituary about a newly deceased person, they wander to the morgue (i.e., morgue file department) to gather information.
Writers search for the odd fact or interesting tidbit that speaks to a narrative that they are crafting about the deceased. On occasion they write advanced obituaries for famous people who may be at the end of their career or life that can be pulled when they die. Usually though the writers are scrambling to gather the facts and craft a narrative in time for the 6 pm newspaper deadline.
Oh yes, and before then they have to check the facts. They must call and track down people to corroborate items. But of course, Murphy’s Law. Mistakes happen. And corrections must appear in the following day’s paper.
The documentary covers some people for whom obituaries were written. Some you may know. Some you may not. Kinzler who saved Skylab. (Did he really or was this a family myth? The answer is the former. He really did save Skylab.) Pete Seeger and the photos they had on file (in the morgue) when he was a small child. The bass player for Bill Haley and the fight to keep in the obituary the fact that his father was a hog butcher. (It helps define his life, the writer argued.) Or Stalin’s daughter and her life as an ex-pat after Stalin’s death.
Why, one writer explains, are women and minorities often missing from obituaries? Obituaries are retrospectives, a reflection of the times 40, 50, or 60 years previously. In the past, the movers and shakers tended to be white men. But now women and minorities who had an impact during the civil and women’s rights movements are now passing away. Equality increases with the passing of time.
Obit. is an interesting look into the obituary department at The New York Times. The writers have the unique opportunity of learning about lots of people who led interesting lives and had an impact on the world. In their role, they occupy a fascinating seat to witness and celebrate the passing of history.